Between, Everywhere: Photographs by Rachel Demy, with Death Cab for Cutie
First edition of Between, Everywhere: Photographs by Rachel Demy, with Death Cab for Cutie (2022)
First impressionÂ
Large format hardback in new conditionÂ
About
For millennia, “nirvana” has been a term associated with belief systems of the Indian subcontinent. But in 1988, a band from a small coastal town in Washington state decided to create some new associations with this word . . . through their music.Â
Active for just six years, Nirvana left an indelible mark on the late twentieth century that remains visible today. Photographer and self-described “music fanatic” Charles Peterson, a fellow twenty-something from the suburbs of Seattle, was present with his camera as a genre took form, and his images have become synonymous with the sounds, styles, movement and attitude known as Grunge. Â
Charles Peterson’s Nirvana expands beyond Peterson’s iconic images of the band seen repeatedly over the last thirty years. Over a five-year photo edit, Peterson looked at each one of thousands of frames, considering what drew him to Nirvana in the first place—their music.Â








Description
First edition of Between, Everywhere: Photographs by Rachel Demy, with Death Cab for Cutie (2022)
First impressionÂ
Large format hardback in new conditionÂ
About
For millennia, “nirvana” has been a term associated with belief systems of the Indian subcontinent. But in 1988, a band from a small coastal town in Washington state decided to create some new associations with this word . . . through their music.Â
Active for just six years, Nirvana left an indelible mark on the late twentieth century that remains visible today. Photographer and self-described “music fanatic” Charles Peterson, a fellow twenty-something from the suburbs of Seattle, was present with his camera as a genre took form, and his images have become synonymous with the sounds, styles, movement and attitude known as Grunge. Â
Charles Peterson’s Nirvana expands beyond Peterson’s iconic images of the band seen repeatedly over the last thirty years. Over a five-year photo edit, Peterson looked at each one of thousands of frames, considering what drew him to Nirvana in the first place—their music.Â