Los Alamos
First Scalo edition of Los Alamos by William Eggleston (2003)
First impressionÂ
Large format hardback in near fine conditionÂ
Some general wear to jacket (in very good condition), now in a removable protective sleeve
Please note there is a minor mark that has affected both the title page and the one oppositeÂ
Some very minor toning to extremities of pages
About
During a Jack Kerouac-inspired road trip that lasted nine years, the photographer William Eggleston documented working-class towns, rest stop diners, dilapidated gas stations, and barren stretches of land in the American South and Southwest. For thirty years following Egglestonâs trip, the images sat in a warehouse as he focused on other work, many of them unseen. In 2002, Egglestonâs journey finally reached its destination when the resurfaced snapshots were published as âLos Alamos,â a series of 75 dye-transfer prints from color negatives he captured along his journey between 1965 and 1974âamong the artistâs first work in color film. The series takes its name from the Los Alamos nuclear fission laboratory in New Mexico, where atomic bombs were developed during World War II. As legend goes, when Eggleston and his friend Walter Hopps were driving past the laboratory in 1973, Eggleston remarked, âYou know, Iâd like to have a secret lab like that myself.â
Original: $203.10
-65%$203.10
$71.08









Description
First Scalo edition of Los Alamos by William Eggleston (2003)
First impressionÂ
Large format hardback in near fine conditionÂ
Some general wear to jacket (in very good condition), now in a removable protective sleeve
Please note there is a minor mark that has affected both the title page and the one oppositeÂ
Some very minor toning to extremities of pages
About
During a Jack Kerouac-inspired road trip that lasted nine years, the photographer William Eggleston documented working-class towns, rest stop diners, dilapidated gas stations, and barren stretches of land in the American South and Southwest. For thirty years following Egglestonâs trip, the images sat in a warehouse as he focused on other work, many of them unseen. In 2002, Egglestonâs journey finally reached its destination when the resurfaced snapshots were published as âLos Alamos,â a series of 75 dye-transfer prints from color negatives he captured along his journey between 1965 and 1974âamong the artistâs first work in color film. The series takes its name from the Los Alamos nuclear fission laboratory in New Mexico, where atomic bombs were developed during World War II. As legend goes, when Eggleston and his friend Walter Hopps were driving past the laboratory in 1973, Eggleston remarked, âYou know, Iâd like to have a secret lab like that myself.â























